Well, finally, 30 years into the dreaming, I'm finding a little room for cello! Seems like maybe the right time for the planets to all line up in this endeavor!
I headed off to work downtown with the cello in tow, braved the Light Rail, and got stared at quite a bit with some amusing smiles all around when I approached the Security X-ray screening machine into my employer's building! The cello sailed right through! How does anyone carry a full-size bass around, is all I can wonder, if this cello seems this big rolling along behind me or hoisted onto my back!
A great teacher, Dan, just 2 miles from my house, and a Chinese-made cello, brand new for $600 including a nice rollalong case and bow! First cello lesson, Jan. 28, 2004: Two cats, one black and one white, greet me -- along with 3 tropical birds in cages, as I enter his house. White carpet! What courage! Dan plays an 80-year-old French cello, and confided that the bow alone has been appraised at $4,000! Wow! Scary that it could cost as much as a cheap car, a tiny long stick of pernambuco wood with horse-hair on it! Shows how music demands the best to give the best...
I unpacked my cello, and Dan got to work, explaining the basics to start me out right! He has a Master's from a respected conservatory across the other side of the country from here and he knows his stuff! The cats wandered in and out, inspecting my technique and hopping up onto the top area of the Grand Piano to survey us from their higher plane. Most amusing creatures, always! Dan told me about how loose or taut the bow needs to be for resting or playing, showed me how to rosen it up right, and then tuned my cello a bit, so I could get started making cello sound! Pizacatto (spelling) is the fancy Italian word for plucking strings instead of bowing them. We explored the right posture: relax into the cello, let it mold around your comfort zone, and float your arms loosely like butterflies in training... think of GRAVITY when applying pressure on the strings with the bow, and on the left hand, curve it around the neck and let it SINK into the neck, like legs walking down a hill, at an easy angle, and DON'T pinch the thumb under the neck, just let it be a placeholder resting lightly.
This cello is so happy to make sounds, so far! Gravity really does seem to work to bring her to life.
Anyway, a bit achy in the hands from challenging my 52-year-old muscles to new positions, but easy does it, and this a.m., I was up at 4:30 a.m., waiting till 5:45 impatiently, to begin 30 minutes of practice -- hoping my neighbor below doesn't hear me! I'll have to give her fair warning and have a dialogue to be sure it doesn't bother her. Who could complain about cello, even cello being born still? I can't imagine it.
Singing a happy tune from Suzuki book (the first ones I'm learning are 'Twinkle, Twinkle, Little Star, and a 'pep-per-o-ni pi-za' rhythmic phrase I'm to practice diligently, 4 beats to the first 4 syllables, total, and 2 beats each to the last two syllables) as I head to work, looking forward to the far-off day when I can play this baby!